From Tiny Tim's immensely popular 1968 album, God Bless Tiny Tim, Tim's falsetto lowers a few registers to a bizarre rich baritone. Originally an anti-war song written by Irving Berlin in 1914. By 1968 when the song was covered by Tiny Tim, it was still largely an anti-war song, fitting for the Vietnam Era counter-culture, but some sound effects were added (such as female laughter) that also indicated that this not only anti-war but a commentary on the looser morals that came with the new culture. Technically, while largely anti-war, it was now anti-anything perceived to be "bad." Jump ahead to 2026 and that is the style that sticks with the worst aspects of humanity on public display in the media every single day. Still, the theatricality inherent in Berlin's original composition I have kept preserved as best I can.